Noise for the Needy 2012


For whatever reason philanthropy and good music go together like peas and carrots. From the protest music of Bob Dylan and Woodie Guthrie to the mega benefit concerts of Farm AID & The Concert for Bangladesh, musicians and fans alike are always ready to contribute to a good cause. Enter this year's Noise for the Needy festival taking place all over Seattle for the next 8 days. Not only will you get a chance to catch some awesome acts like The Thermals at Neumos or a Daft Punk vs Chromeo DJ set at Nectar Lounge, you'll also be contributing to the Seattle Community Law Center. The SCLC is a local organization that provides accessible legal aid and advocacy to people with disabilities and other barriers. There are tons of other cool concerts tied in with this event so make sure to check out the entire schedule here, and I'll see you at the Prince tribute show Thursday.





A Sassy Sasquatch 2012 Recap



I had the privilege Memorial Day weekend to attend Sasquatch Music Festival at the most beautiful venue in the world, The Gorge. I've been going for three years running now but this year, I was able to go to ALL four days of music, rather than just camping. I knew I had to get my hands on one of those tickets because the lineup was truly epic this year and I did, off Craigslist from some Husky who couldn't go. Bless her heart.

Moving right along. For the most part, all the shows I got to see were absolutely incredible, but there were some performances that were downright disappointing. The weather was gorgeous every day, my nose is currently peeling/falling off because my dumbass didn't wear sunscreen. The price one shall pay.

We will split this up into a review of each day.

Day One - Friday

I was pretty much plopped on the hill at Mainstage for the entire day until I descended into the pit later on. I got to catch Allen Stone again who is truly a talented musician with such a unique look, it's hard to not watch him with his engaging stage presence. He belted out some of his hits including my favorite "Satisfaction," which had the entire crowd movin' and groovin'. After Stone, a group of us headed down for a closer look at Of Monsters and Men who I didn't really have much knowledge of except for their tune "Little Talks." Holy CRAP this might have been one of my top five concerts. They were obviously ecstatic to be playing for such a huge crowd, and the energy of the audience was awesome. I was captivated by all of their songs and the voice blending of the two singers. Not to mention their band is huge and used a ton of different instruments. My new favorite song is "Love, Love, Love," constant repeat on Spotify. After Of Monsters and Men, we caught Santigold who was totally crazy as usual and had these two backup dancers that had no facial expressions but wore adorable matching outfits. Love Santigold though, had the whole crowd wild. After her, Girl Talk came on and was honestly insane. Streamers and confetti were flying everywhere, fireworks at the end, nonstop dancing, beautiful. I've loved Girl Talk forever but was not expecting him to be that good live. Ending the night was Pretty Lights, a cross blend of different digital sampling and electro. Of course he played "Finally Moving" which is featured on one of Flo Rida's song (ugh). It was truly a beautiful day.

Day Two - Saturday

Kind of all over the place here. Caught The Civil Wars who were absolutely breathtaking and beautiful. They were also so clearly excited to be there and the other singer was clearly pregnant, but that didn't stop her one bit. The other dude kinda looked like Johnny Depp, but their harmonies together were gorgeous. They are also now on repeat on Spotify. Then caught Sol who had the crowd vibin' SO hard, people were climbing all over the stage, it was wild. Childish Gambino was okay, to be honest not really my favorite. I was kind of bored with his performance, but I also had super high expectations for him. Com Truise on the other hand was LIVE. Damn. But alas, I had to leave and catch Metric of course. I love them. And I'm also in love with their lead singer. Gives us hope that you can be older and still rock harder than most. After Metric, I got a glimpse of tUnE-yArDs but had to leave so I could catch The Shins who were probably the most disappointing of the entire festival. I was hoping to be blown away, but the sound was low, and they looked bored as hell. Not feeling it. I was also kinda bummed I didn't catch Jack White, but I HAD to see Wolfgang Gartner who was honestly fucking incredible. He even said himself on his Facebook page that performing at Sasquatch was the best gig of his life. Kudos, Northwest.

Day Three - Sunday

Spent a lot of time on the hill at Mainstage again. M.Ward and The Head and the Heart. WOW, The Head and the Heart was awesome. Played all their hits, and then some. Later, caught Beirut who was obviously beautiful, and Little Dragon later who was also great. Went back later for Bon Iver because honestly, how could anyone miss Bon Iver. Pretty sure every damn hipster in the crowd was sobbing their eyes out, myself included. Left Mainstage and caught James Murphy, another electro-ish DJ, it was pretty sweet. Packed as hell though. The late night show was Feed Me with Teeth. That was pretty epic I must say. Heavy electro house dubstep. My friend and I had the best seats in the house, but we were busy being crushed by over bearing frat hipster kids, so that kind of killed it. But it was still great.

Day Four - Monday

I am way too hungover. Slightly upset, and by slightly I mean extremely pissed that I missed Grouplove, Cloud Cult, and Feist. Damn. When I finally did get off my ass and out of my camp chair into the festival, I stayed mainly in the Banana Shack and caught Felix Cartal and LA Riots. These guys were insane. The crowd could not stop jammin'. I was super stoked to see SBTRKT but was shockingly upset by how not great he was. His transitions were off, and the beats kept changing, so everyone was thrown off by how to dance. Oops. His Coachella set looked way better than Sasquatch, guess I know where to go next year. After SBTRKT I got to see Nero again who was SENSATIONAL. So many lights and beats, I could not keep up. What a phenomenal way to end the festival.

Overall, I was impressed with the Squatch this year. Glad that I spent an obscene amount of money on a ticket and booze. The experience is always worth it.

P.S. Also extremely pissed I missed Tenacious D, apparently there was a ginormous blown up penis on stage that would spout out confetti. Typical, Jack Black.

Although SBTRKT's set wasn't as great as I had hoped for, this song is still amazing and I will hold it so close to my heart. Good vibrations, my friends.











Nouela releases new track


In the last week local act 'Nouela' has released two tracks from their upcoming debut record "Chants."

The latest track entitled Suckers features a funky, catchy rhythm section while lead woman Nouela Johnston lays down some pretty soulful vocals. Definitely brightened up my afternoon break on this cloudy, dreary Seattle afternoon.

Check out our artist spotlight from a few weeks ago and catch Nouela as they take over Ballard on June 10th. They are playing a free in-store at Sonic Boom Records at 4 PM and then celebrating their record release at The Sunset at 9 PM. (The album drops June 12th)

Tickets are $8 for the record release and it is a 21+ affair






New Music: Black Whales


Earlier this month local 60's grunge group 'Black Whales' digitally released a new track entitled Vietnam. Earlier today a post on the band's Facebook page stated "Thanks to an anonymous fan's contribution today, the next hundred downloads of our new song, "Vietnam" are free. Thank you, oh mysterious one." As of this posting the download is still free. Get over there and download it!

The track has a dreamy almost acid rock vibe to it. As the title suggests, the lyrics are from the perspective of soldier in the trenches as he looks into the sunset and dreams of going home. Despite the heavy subject matter the song is light and retrospective. It transports you into the mind and the world of the soldier so easily that even though the chorus line "I can't get out" is in reference to Vietnam, you start feeling that you will never get out of the world the band has created either.






Koko and the Sweetmeats to Say Farewell on Sunday


The Indie Roots stage at this weekend's Folklive festival will be one bittersweet affair as one of Seattle's finest bands will be calling it quits :(  In a time when synthesizers dominate every aspect of modern indie rock and Dupstep is infecting America like some crazy EDM zombie virus,  Koko and the Sweetmeats embodied everything that is timeless about rock n'roll. The long hair, the pulse pounding drums, mind bending guitar riffs. It was music that felt refreshingly retro but never out of place.  I expect there will be an flood of torn denim and enough lighters in the air to increase the temperature by a degree or two on Sunday.  Make sure to be at the Indie Roots stage by 4:35 for one last opportunity see one this city's best bands ride into the sunset.






Live Review: Barcelona at Columbia City Theater

Barcelona

This past Saturday I headed down to the Columbia City Theater to check out ‘Barcelona’s’ CD release party for “Not Quite Yours.” They shared the stage with indie rock group ‘Motopony’ and singer/songwriter Lucas Field.
Lucas Field

Lucas Field and his two-piece backing band took the stage first and it was a good thing there were only three of them, the stage was packed with a ton of equipment. Lucas was the ultimate front man, complete with a white leisure suit that looked like it was straight from the 70s. He spent his time playing keys, guitar, and running around the stage pumping up the crowd. He would routinely jump up from the keyboard and let his band mates keep the groove flowing while he danced up a storm on stage. At one point he yelled into the mic “Y’all want a high kick?” and as the crowd cheered he did multiple Rothesque high kicks which was pretty damn entertaining. In addition to all the theatrics the music was solid, it seems that Mr. Field was born in the wrong decade, he writes jazzy R&B grooves that could have easily been popular at the height of Motown’s reign.
Daniel Blue of Motopony

Motopony took the stage next and once again the lead singer was the focus of the set. Daniel Blue seemed to be hypnotized by the music from the first riff. When not at the mic he would glide around the stage as if he was on a cloud. His arms and legs would move in all different directions with the music, almost as if he was a puppet and the music was his marionette. When at the mic he would frequently run in place to release the energy that was building up inside. The set ended with Blue laying out over a stage monitor and performing the final song with half his body on stage and the other half suspended over the floor; it seemed an appropriate end to me. These guys are on the rise nationally and will soon take over the world; the rest of humanity just needs to realizes how badass they are.
Buddy Ross of Motopony

Barcelona took the stage to cheers from the now full club. The trio started off the set well and the crowd was dancing and singing along to the infectious hooks. About halfway through their set they put a challenge out to the crowd. If fans were up to the task of coming up on stage and singing the chorus to their song It’s About Time they would get a free t-shirt. I’m not sure the band expected any takers, but three fans were up for it. The band would perform the song until the chorus started then the lead singer would drop out and it was up to the fan to sing it. I don’t think anyone knew how this would go, but each fan took full advantage of their chance to be a rock star and killed it. That was definitely the highlight of the night.Barcelona's music is light and catchy, they are destined for success.

Were you at this show? What are your thoughts on these bands?




Tonight: The Hoot Hoots & the Royal Sea for FREE


You might not know it, but the best show of the week isn't at Neptune, or Neumos, or Paramount, or some funny stage at the Gorge this weekend. It's tonight at The Triple Door for The Hoot Hoots and The Royal Sea.

There are few bands around Seattle with the kind of addictive synth rock hooks The Hoot Hoots bring to the table. It's pretty much impossible not to get lost in those bouncy space notes that float above garage rock guitars and playground percussion.

Not to be outdone, The Royal Sea will add some seriously sun-splashed deck-party punk that could convert any Beach Fossils or Best Coast fan with little to no effort. Hopefully those golden rock anthems about L.A. and Summer will appease the weather gods and bring some sunshine to Seattle for the weekend. 

And the best part about this dynamic duo of local bands? the entire event is free! Like the facebook invite states "Opportunities to go hang out at a swanky bar like the Triple Door for FREE don't come along every day" so take advantage of this while you can, and get weird on a weekday.  Music starts promptly at 8:30